Showing posts with label writing life. Show all posts
Showing posts with label writing life. Show all posts

19 November 2017

OryCon 39: Timothy Zahn Talks To the Fans

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This is also the sort of reason why OryCon means so much and matters. OryCon has long had a reputation as a 'literary' SF convention which is appropriate; most Portland SF fans try to realize some sort of dream as a writer (I've known few who haven't), and in a city with events like Wordstock and famous for establishments like the Mighty Multnomah County Library and Powell's City Of Books, it just makes sense that people attracted to the craft and activity of writing would make OryCon he sort of place it is.


In this talk, author Timothy Zahn talked about things authory and Star Warsy: it was Zahn who brought us Grand Admiral Thrawn, one of the most enduringly-popular and arguably important characters in the SW Expanded Universe; Zahn is credited by some I've read with setting the table for a great deal of what followed. In his talk, he was a bit more modest about it, leaving the impression of someone who felt he was at the right place at the right time.

But the point I was striving at he just what a nice guy he was; affable, indefatigably friendly, the kind of Author GoH I remember OryCon seems to attract and invite. The kind of author all us aspiring SF writers hope to be.

He's our kinda guy.

21 September 2015

[writing] Harlan Ellison, Crafting the Short Story, and "Night of Black Glass"

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Finally found a copy of Harlan Ellison's "Stalking the Nightmare, in paperback, for my HE shelf. The high point on this collection is the short, eerie "Night of Black Glass". This is a story which stuck with me, particularly because of Harlan's exploration of survivor's guilt and how he poses it as an existential question with a real cost; also, if anyone (and I know most of you in The Harlan Ellison Facebook Fanclub have) has ever seen the documentary "Dreams With Sharp Teeth", it was apparently written as the product of an exhibition …

The picture is of Harlan sitting down in a bookstore's front window on Fifth Avenue in NYC in front of his trusty Olympia typewriter. He is then delivered an envelope with a single piece of paper, NBC letterhead, which he then opens, reads, and then gets to typing. In a voice-over, the late Jessica Savitch, from a clip from the Today show from March of 1981, states that he was given an opening idea written by Tom Brokaw: "A man walking on a rocky beach in Maine in August, finds a pair of broken sunglasses". Five hours later, "Night of Black Glass" was finished. Not only was it a demonstration of the man's almost-preternatural ability to prolifically create, it showed that creative pursuits, to paraphrase HE, was a job of work, not something dainty and airy, fit only for occupants of ivory towers.

I read it in a magazine then and didn't see it again for many years. Now I have it on my HE shelf to read when I please.

Old novels and short-stories have become like totems of existence to me. Having them on hand physically makes me feel better about being here.

And so it goes.

And here's a link: An archival page, noting the title indicates a school resource for teaching literature, but it contains the entire transcript of Harlan's interview with Jessica Savitch on NBC's Today Show from March 24th, 1981. Very insightful reading at http://archives.nbclearn.com/portal/site/k-12/flatview?cuecard=34831 (if you search the NBCLearn site you only get a 15-second preview of the video, or you have to sign in to see it, and you probably have to be in school or be an educator or pay a fee for it. But at least you can read it.)

18 May 2014

[writing] I Have A New Cross Pen. Bring On Your Sword.

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Okay, so the title's a little grandiloquent. Or, hell, a lot. There was an alternative title to this posting, riffing on something Pete Seeger had written on a banjo as sort of an answer to what Woody Guthrie's guitar famously said: This machine surrounds facists and makes them surrender. 

But so what? It's my blog. You want me to be a shrinking violet about my bad self, you go write your own blog about me.

Anyway.


Licensed to carry in all 50 states and the District of Columbia.
It's a First Amendment thing, yo.
It has latterly been my birthday, and I had recently lost my old trusty Cross Classic Century sliver chrome ballpoint. It's been a strange journey. I loathe ballpoint pens, generally speaking.  My personal favorite, aside from this unlikely hero, is the Pilot Precise V5. I like a fine line, not too fine, and the liquid ink from the Pilot is always perfect, has never let me down.

Sustaining a writing habit with the Pilot can be kind of pricey, though, and a little unsustainable to the personal economy, incomes being what they are these days. While I was in handwriting bliss with the Pilot Precise, in my daily work I actually consume pens. I leave them dry. I find excuses and reasons to write. When I was a kid I could scarcely be bothered; I thought pens lasted forever, or as near as practically so. As an adult, I exhaust them.

Ballpoints are also eminently practical, a truth so obvious as to be axiomatic. They travel. They rarely, if ever, leak. With a minimum effort of care, a ballpoint will keep going and going until the ink runs out. So a side quest was to find the perfect dependable ballpoint pen. Since I keep my personal standards in this area so high, it's been a long search.

Sometime in the last few years, I know not how, I battered Cross Century (judging by the style of the lettering, it was made before they started calling it Classic) fell into my hands. I was still obsessing on finding a dependable, affordable fountain pen (that was as I was getting acquainted with the Preppy) so it sat on the shelf for a while longer. Then, balancing the old Century in my hand one day I imagined that it was kind of a cross of two things; the desire to have a dependable modern writing tool and a well-designed object for daily use. 

And, heck, the thing just felt good. So I went to find refills, imagining it would be difficult. It was, a little, but I narrowed down Staples as the best source; not only do they have Cross-brand refills, and a more bargain-priced refill by Penatia that works acceptably.

There was a bit of a breaking-in period. The Century form factor was like a high-performance car: responsive, tight, giving if you got on its wavelength but unforgiving if you didn't (I tend to a vise-grip on my pen as I use it continually). So it's taught me a lot about writing with the pen rather than just dispassionately using it. You have to form a relationship with it, but once you do, it tends to reward you rather well.

Suddenly, it was gone. I have one suspicion as to where it might be, and that will have to wait until Monday to be followed-up. But I missed that pen a hell of a lot more than I thought I would, was obsessing on the fact that it no longer was available to me to use. So … what a perfect birthday gift! And so plans were made.

The purchasing experience was a bit more frought than I counted on. The display at Staples promises that you will get something from the stock room, all you have to do is bring a card from the little stack inside the little hole next to the display model and they'll run back and get one. I had, originally, the basic model, described as a Cross Classic Century Lustrous Chrome. Simple, austere yet elegant. it's the one with the black plastic tip on the clip end. But despite the inventory showing three there was not one. And yeah, we could get it shipped, but wanting it today made for an awkward moment.

How is it I was so obsessed over this silly ballpoint pen? I'm still more than a little amazed at myself. Well, if illiteracy is no virtue, then extremism in the acquisition of one's favorite writing utensil is no vice. That's what I always say (backdated).

The manager of the Staples was most kind and generous this day. After phoning Jantzen Beach and finding none in stock not there neither, and sensing, perceptively, that making me wait any further for this is punishment cruel and unusual, he found the next more expensive model and let me have it for the price we actually had already paid (payment processed before the inventory discrepancy had made itself known) for the cheaper model. And so I now have it.

The new pen is a Classic Century, but it's the Medalist. The biggest difference is the addition of 23-carat gold plate on the clip, the cowling near the business end and the end cap which was plastic on the Lustrous Chrome edition. It feels even better than the old one and it's a little more luxe without being blowout-ostentatious, so it's been easy to get to know and to use.

… even though, it must be said, it comes with a medium point rather than a fine point. It's acceptable for now; I'll not waste it. Writing is a sacrament and ink the consecrated wine. But what is it about pen companies that they think, unless you're looking for some fancy roller ball or gel-ink pen, all you want is medium? Irritating, is is.

But me and my new fascism-surrounding weapon will get along just fine I think.

This all may seem a little intense, but if being obsessive about my pen is wrong, then I don't want to be write.

Er, right.