Showing posts sorted by relevance for query jake richmond. Sort by date Show all posts
Showing posts sorted by relevance for query jake richmond. Sort by date Show all posts

27 March 2015

[comic] What We're Liking: Modest Medusa

3167.
This one is for all the mistfits out there, or anyone who loves one. I qualify two ways there, so I'm smitten, and it's not a modest thing.

It is a Modest thing, though, and as far as that goes, meet Modest:


Just your normal 5-year-old girl, really. Loves Pokemons, Nintendo, and is a confirmed Chocodile addict. She loves manga and when she finally goes to school, is bewildered at the lack of magical girls there.  She's apprehensive about the world around her, but takes it on because, when you're five years old, what else are you going to do? She's got a mother and a father from different worlds (Dad's a vampire, Mom's a giant snake), and she finds herself in an incidental family somewhere in a place that vaguely resembles southeast Portland.

She's also a medusa. Which explains the snakey hair.

The strip, eponymously named Modest Medusa, has been running for four years now, debuting in January 2011. It traces the perambulations (if a little girl with a snake-body can be said to have such things) of a 5-year-old medusa girl who stumbles from her world into ours, rooked over here by a pair of mean-girl mermaids, and enters the world of her accidental father figure - a comic version of the artist, Portlander Jake Richmond - through his toilet.

His apartment waterlogged, he moves to another room, and as Modest stays, a completely different life. It has to be seen to be believed. In the four short years of the comic's life, it has swung between adventures heroic, fantastic and fatal and dryly humorous and banal but always with the viewpoint of a little kid just trying to figure out where she's going to fit in. Just like other little kids, her arrival causes tragic disruption (though in ways at times quite hazardous for her new friends).

Where Modest Medusa really shines out, though, is in a subtheme that's quite unexpected … and that takes the form of the reaction of the world around her. Here, the comic operates on an evolved level, because while other characters in the world do see that she is, in fact, a snake girl with snakes for hair, they seem to be little bothered by it. Like the characters in the Pooh stories who accepted Eeyore for what he was and loved him without trying to change him, adults and kids regard her as a little girl - and with her particular talent for winning friends, she soon finds some sort of place.

Jake Richmond has made her a kind of a totem for those us who just don't feel like we belong exactly anywhere but won't let that stop us. She's a fully realized character who finds herself in a world she didn't make.

I don't know about anybody else, but that speaks to me. In Modest's world, the gaze of a medusa won't turn you to stone, but she might melt your heart just a little.

GET IT: The comic is available in toto for you to read at ModestMedusa.com, (Facebook for Jake Richmond so you can be updated every MWF) and can be found in bound, very well-done book format at The Sprightly Bean comic cafe (Facebook). Jake Richmond is also part of Patreon, the website that allows people to actively support comic artists by becoming regular patrons of the artist.

14 February 2016

[comics] Fanaticon 2016, or, What If You Held A Small Teen-run Comics Fest And Quite A Few People Came?

3261.
As I promised earlier this week, Fanaticon, the teen-run comic festival being staged at the East Portland Community Center, happened, and also, as promised, we were there. We have some pictures, and here they are.


The multipurpose room at the EPCC was impressively filled with a number of vendors and the whole thing ran rather smoothly and enjoyable. Not only were there first-class things to buy, but there were a great deal of new people to meet as well as some old friends to say 'hi' to.


Among the vendors who were there was, along this wall, starting from the farthest, Dylan Canfield, Caitlin Like, and Mikah Berkoff. All produce great work. Dylan does sharp indie stuff, Caitlin does a elegant romantic Steampunk story called Mistress of the Machine, and Dylan contributes 1/3rd of the great local crowdfunded graphic magazine Combine.


Above, the women of WabiSabiPDX posed for us.  They specialize in adorable SF- and geeky-accountrements, and also PDX … I now have a Timbers logo pin done by them, because #RCTID, man. Many delightful trinkets there.

From left, Barry Deutsch, Jaymz Bernard
Barry Deutsch and Jaymz Bernard also posed for us. Barry's graphic novel series Hereville is one of the things that rule my world, and Jaymz is the talented creator who is one of the other thirds of  Combine and more. Following Barry's link will take you to his Amptoons homepage, and Jaymz's will take you to her Facebook presence, where more can be found thereon.

While there wasn't any cosplaying per se, there was some inspired costume choices, and some people who know how to dress to impress. These two participants weren't a pair, but when they posed together, they worked together on an artistic level:

Puttin' on the Ritz, Fanaticon Style.

… and not only does this young lady have a sense for style, she rocks the hoop-skirt.



Jake Richmond and Jaymz Bernard
The teens who had the enterprise to create this microcon are students in the Cartooning class led every quarter by Jake Richmond, he of Modest Medusa, who we've met in this blog before, and those same students decided the time was ripe to put on a show, in the old-school style. I'm liking Jake because he represents a certain encouragement to the beginner from the pro that we don't see so much in the world in general but which I come upon quite often amongst the comic creator community. So, far much of the stuff Jake instigates turns out nifty.

He was selling Modest stuff, some books, including the most recent publication, anthologizing his three Modest 24 Hour comics. They're really sweet and great comedy.

Also appearing, in effigy, the Knight of Chains in adorable hat style.
Nothing personal, but much preferable to the Knight of Chains in person.


These two sellers, whose names I did not get, had really cool crafty head circlets that were kind of, from my point of view, the unexpected hit of the con. They sold very well and adorned the head of more than one con-goer.


Three of the con staff, who were selling a compilation of EPCC class work, but I loved this arrangement because the names of the trio read Kate, Nate, and Josie, which scans mightily well. Something that didn't escape my notice was that the staff had a large young female representation, which, given the trends as I see them, can't be anything but a good thing.

Christine "Kiki" Knopp
We purchased some of the work of Kiki, a/k/a Christine Knopp, an illustrator who does some really fun, whimsical animal illustration, heavy on the cats, and some of the cutest foxes I know of (stickers of which adorn some of my own sketchbooks). She's got some impressively deep professional experience, is just plain a nice, affable person to talk to, and also does private art lessons. Her FB presence is https://www.facebook.com/kikidoodle.art/, and you can find her other neato stuff from there.


This last picture is an unexpected treat … the purple-shirted fellow in the center is Pharoah Bolding, who's work, They Call Me Black Fist, an unafraid mashup of rockabilly, fighting manga, bad 70s kung-fu movies, classic comics, and satire, which I stumbled on at Spritely Bean and tipped on my own Facebook presence some time ago (I had thought I had reviewed it, but just figured out I hadn't, which is a think I must redress and will do so soon). They Call Me Black Fist is as funny as hell, and Pharoah Bolding has a real-life sense-of-humor that is every bit as audacious.

One photo I didn't get was of Huynh Pool and the Spritely Bean's table, where good basic coffee, Thai tea, and Boba tea were all available, and made everything go smoothly.

The best cons tend to run so smoothly you don't notice anything else but the fun you're having and the people you're mingling with. It was all good and the kids did a tremendous job. 

We give it many many thumbs up. We'll have to borrow some, because we only have so many, but sacrifices must be made.

We hope they do it again next year.


06 August 2015

[comics] What We Saw At The First Artist Alley Comics Fest

3209.
Southeast Portland can hide things, tuck nifty things behind other nifty things. These things are worth the effort in finding.

Comic-cons, for instance. Oh, they're there. Hidden behind awesome little comic-cafes. I give you the corner of SE Powell Boulevard and 59th Avenue, on the border of South Tabor and FoPo.


This is a building containing a hair salon (The Phix), our comix cafe (The Spritely Bean), a print shop, and a good-bad-for-you food cafe (the mighty Steakadelphia). Behind, there, you see a tent or two peeking out? Why, yes you do. Let's explore, shall we?

When we get cross the wide, wide demesne that is SE Powell Boulevard, this is what we see.


This is the First Annual Artist Alley Comics Fest, presented by The Spritely Bean and supported by some worthy supporters, one of which be +Muse Art and Design . The artist alley, as I understand it to be, is an area of a comic-con where artists set up to sell, see, be seen, and meet fans and interested people. Much goodness for sale there. Being that this is set up in the parking lot behind Spritely Bean's building, it's like being in an alley, making this a true artist alley.

Well played, SB, well played.

One of the sponsors, Muse, sent along one of their people to rep the shop. This is one of them:

The tie of the day.
… our friend Vaughn Barker.  I've told you about Vaughn, the alter-ego of Valentine Barker here: http://zehnkatzen.blogspot.com/2015/03/pdxart-illustrator-vaughn-barkers.html, where you can go to find about about his awesomeness and his art and his general Zenitude, so he's worth your time. But this time, it's kinda about the tie.

That is one hell of a tie, man. Straight up.

The hair salon has the delightful name of The Phix. They had a backdrop up and they were showing off some of their work. We almost missed all of that pageant, as we showed a bit more than halfway through the afternoon, but we did see this fellow …

Character? Yes. Comic? No.
… who was as rockstar with his attitude as he was with his hair. Damned affable, too, as far as that goes.



Being tucked away in Southeast like it was, I was worried that there was going to be a gentle response. Adam and Huynh were taking a bit of a chance, I thought, and since I love, so far, everything they do, I was a little anxious for them.

I shouldn't have worried.

A person who's become a dear friend to me, +Donna Barr , creator of Stinz and The Desert Peach, proved that the tiny-con could work, and work well, even out at the end of the road. The Clallam Bay Comic Con, a small event, was none the less energetic, complete with dealer's room, panels, and a party. See here for her result: http://donnabarr.blogspot.com/2015/07/small-but-fierce-2015-clallam-bay.html.  The micro-cons are a boon because you can have all the creator-awesome without all the corp-overhead, and this is the sort of place where the indies can be the stars of the show.  Linework NW proved that it could shine as a vibrant smaller-sized, creator focused and driven event.

And now, AACF proves that small can be beautiful, gorgeous, amazing, and that tiny can have a big attitude. And nothing but indies! I'm going to show off individually what I got perforce, but there were big and small productions, and if you didn't come on over with a huge budget there were nifties, small comics, and things to get at a whole range of prices. There was brilliance available for a $20 and awesomness available for a $2 bill.

I'm sorry to say that I didn't get as many pictures as I could. Seen and enjoyed but not pictured:

Coffee. The Spritely Bean is a coffeehouse, of course, and Adam and Huynh's fine wares were available. I enjoyed two of their divine cold brew iced coffees, bold, velvety and just the thing for the über-humid afternoon. Also, macarons! I had heard about them, trendy as they are, but I'd never had any before then. EXQUISITE! Best cookie ever. Wife asked for a Italian soda, it was mint and came back Amalfi-style … it was like drinking a York peppermint pattie.

Jake Richmond. One of my more favorite recent discoveries is Modest Medusa, by Jake Richmond. Follow that link there for the skinny on the snake girl. I got to meet Jake and had the a great chat with him. He's part of a crew of SE Portland illustrators (Including Barry Deutsch and Ben Hsu) who were there en cartel, madly creative people who do work which tends to move into your mind and live there. He has a generous spirit and talked at length with me about his creation. There was also a Chocodile, which I consumed. Modest is right … they're quite tasty.

Brett Carville. I've also written about Brett, who is another recent favorite discovery of ours and just one of the nicest guys you'd want to meet. We'd seen him at Linework and it was amazing to see him here too. I got a look at something he's doing called Life of Craig, and I'll have more to write about that in another post in a few more days.

Donna Barr proved that you could have a comic-con anywhere. Linework NW proved that if you made it all about indies, it'll have meaning and velocity.

AACF proved that if you hold it … especially in Portland … they will come.


Hail, Eris.


20 September 2015

[comic] In Which We Visit Modest Medusa's House

3232.
There's a lot to like about southeast Portland. The rents are (well, relatively speaking) still cheap there. There's a lot of old buildings that hold on to the longtime working-class character of Southeast and a lot of new stuff happening, too. There's a big interesting diagonal road … northeast Portland has Sandy Boulevard, but southeast Portland has the mighty Foster Road. And every year there's a street festival called Fun on Foster.

Curiously, this year, Fun on Foster seemed kind of MIA. But there was fun to be had on Foster Road. You just had to know where to look.

We knew where to look.

On the north side of SE Holgate Boulevard, just east of its' highly-acute crossing with Foster Road, and across the street from a wedge shaped green space called Laurelwood Park, is a strip of older storefronts. On the corner is a tango studio. Next to that, an old-school barber shop. And, next to that … SharedSpace. This is a storefront with a distinctive and unique sign and what appears to be a wonderful mission … desk space rental for those of us who want to run a creative practice but don't really feel ready to go for the whole office nine-yards. For a long time, going from here to there in Southeast, we've driven past it occasionally. The only thing I had to recommend it was that funky typography in the sign … until now.

When I got turned on to Modest Medusa over at The Spritely Bean more than a year ago, I had yet to meet or get to know the creator. Time and events have healed that breach, and I've since found that Jake Richmond is just as smart and witty as the comics he creates. In the void that was the apparent lack of Fun on Foster, he went ahead with a plan to have a table sale and a semi-open-house, and if only for that, this was put on our calendar. From noon there was a table of merch of many prices. Not only was there Modest Medusa, there was also a RPG that is crazy weird and brain-bending that you doubtless hadn't heard of called Tokyo Brain Pop! (Manga schoolgirls with superpowers), and Jake's two other comic creations (the superhero comic Ghost Kiss and his Legend of Korra fan comic Asami Loves Korra) as well as some posters (one of which I have, about which more perforce), and some giveaways (little Modest Medusa pins for the lapel, yes, thanks!)



The space itself is funky, filled with great posters and buzzing with ebullient fans on this fine day. In the above picture, that's Jake there on the left. The red-haired lady was a particularly delightful person, and was inspired in not only her fandom of Modest but in the funny and passionate fan art she produced, a few items of which were in an etagere to one side of the counter, and a couple of which she brought in. Colorful bead art:


… and a whimsical bit of preparedness:


You can never be too sure.

The chatter when you are in a scrum like this talking about a favorite comic with its creator is a little hard to classify and retain, but there were some high points. I'm late to the part on Modest, but learning about how much of Jake goes into the creation of Modest's world impressed me in the way that it's got to be a very brave thing to do, to take things from one's own life and recast them into a fictional realm. It's Proustian, in a certain way. Some great drama and story results. Jake's work, as the characters in Modest Medusa have come, gone, and evolved, and the reasons why, are axiomatic there.

The real high point of the conversation for me was where Jake and I disagreed on something. In speaking of of a certain work whose comic tropes didn't speak to him, I found a lot of value … I like what I like, but I don't require anyone else to like it. Attempting to view it from the point of view of someone who spends the majority of their time creating, especially when coming from the point of view of someone who mostly takes in those creations, throws an unexpected illumination on the subject. On a personal level, I like anyone who is going to be candid about whether or not they find something speaks to them. Art is personal, storytelling art even more so.

So, Jake is a sharp and witty creator … and I was grateful for the chance to have met him and talked to him a bit more.

Anybody reading this who didn't take the chance to go down … you missed out, my friends.

Also, free chocodiles. We shall brook no further argument there.

Chocodiles, and their bouncer.

10 August 2015

[comics] Modest Medusa Merch from Artist Alley

3211.
So in an earlier missive I promised I'd share some stuffs that I got from Artist Alley Comics Fest. Here's the first bit.

I've already declared my affection for Modest Medusa and so a big goal for me was to get something Modest. Jake Richmond was there (and I broke Chocodile bread with him, so that was pretty peak right there). He had a great deal of stuffs for sale, including all seasons of the story published so far (he breaks the narrative into TV-series-like 'seasons', which allows for story arcs and subplots which weave in and out of the world in that same way, which is very appealing). I was unable to purchase for now (his prices are wholly reasonable, it's my budget that isn't). But, as I said in an earlier post, there was all sorts of niftyness at all sorts of prices.

Here's what I scored from Jake:


Two 24-Hour Comic mini-comics and that spiffy promo card. The two mini-comics will hold me until I get his bigger books. They are two sweet and silly snake-girl stories that can't help but make me smile.

The first, simply titled 24-Hour Comic, is just that – 24 hour in the life of Modest and Jake, one hour per panel. She eats noodles for lunch, hangs out with Jake and his comicking buddies, plays with MLP figurines, has fun drawing, and eventually goes to bed (under protest) … only to start it all over again. Anyone who's ever loved a kid, this'll speak to you.

The second, Taco Tuesday, is another 24-Hour Comic, and reveals what happens when the day-person Modest negotiates the acquisition of taco components given that … well, she really doesn't know what a taco is … 


My favorite exchange comes earlier in the day, when a telemarketer tries calling the Jake household only to get Modest on the phone …

Modest: "Hello?"
Caller:"Hi, is your dad home?"
M:"No. What's a taco?"
C:"Excuse me?"
M:"Do you know what a taco is?"
C:"A taco? Like the food?"
M:"Is it a restaurant food?"
C:"Ummm … yes, you can get tacos at restaurants."
M:"Okay. Goodbye!"

Modest muses this new information and then the telemarker calls back:

M:"Hello?"
C:"Uhhh, hello again. Is your mother home?"
M:"My mom is a snake."

That is some tight comedy writing. Its economy is its beauty, and what makes it funny.

Anyway, there's only two left of that one, and I got one of those two. So that makes me lucky, too.

More in a future post.

22 February 2017

[art] Motivational Drawing Board Art Courtesy of Fanaticon

3453.
Two weekends ago the Klein Force traveled across light years (not as heavy as actual years) to a teen-run micro-comicon that had it's second iteration this year. Advised by the inimitable Jake Richmond (Modest Medusa), Fanaticon is a microcon organized and run by the teens in the Manga Studio art class he facilitates through Portland Parks and Rec. We went to last year's and found it inspirational, and the same with this years. Some old friends, some new treats, some quality face-time with Jake, some great fun chatting with Pharoah (really looking forward to the next episode of Black Fist, my friend) and a couple of bits of inspirational art for postinga bove the drawing board.

I just now realized that I'm evolving the long-neglected drawing board into an altar of sorts; whether or not the universe cares about it, our human psyches need ritual, even an informal or brief one. My religion, such as it is, has only one sacrament, and that's the pursuit of art in the form of word and drawing.

The assembling altar has a totem and and two affirmations here; the cat, our main spazz Mason, comes as a fuzzy gray bonus. His mind is elsewhere. Possibly on Mars.


The single line, I HAVE THE SKILL, is a line from a song by a band who called themselves The Sherbs and was done in 1980 on their album The Skill. It's affirmational in a down-to-earth way: the first verse and chorus run thus:

Ain't no magician, no miracle makerI am the shoreline, you are the breakerAll I can say, if this life that we're livin'Is a death-defying thrillI have the skillI have the skill
We're not supermen and superwomen but each day we live, we defy death. Why am I so afraid? But it continues in that straight-on, straight-ahead style. It's a great pep-talk of a song. The line is set in Micrgramma Extended because that's the headline type on the album cover design.

The other two bits of art came from Fanaticon, and speak to me in different ways.


That cutie of an orange fox with the pink ears is a representation of my totem, the fox. Just like many other metaphysical symbols, I didn't choose it, it chose me; I've always been fond of foxes, and the more I thought of foxes, a few years back, the more I saw them. I figured my local universe was giving me a role model. So I went all in on the fox as that point, and this one, by local artist Jillian Lambert (jillianlambert.com) I fell for instantly; the cute cartoon rendering, but most of all, the texture of the coloring … that made it real, authentic, and very seductive to the eye. And the fox is happy for no particular reason. Acquiring a cheer like that, both practical and motivational, would be a boon. It's a lesson I can take.

The type on the right is a dynamite design by Robin Casey (rozdraws.com) and has the right combination of resolve and irreverance that makes me smile, and not just because of that. The type is fun to look at, reminding me greatly of the elan with which sign painters sometimes go to town when they kick out the jams. You can paint great pictures with type, and this is a great example of how.

And I'll look at it every time I sidle up to the drawing board and push to create something … anything.

08 February 2016

[comics] Fanaticon Is Coming in Four Days' Time

3255.
The age of the microcon is upon us, and we love it enough to help out even though nobody asks us to. Because this stuff is worthy, especially in a world where big-name comicons charge arms and legs just to breathe the air in the lobby (or, at, least, it's starting to seem that way).

There's one we got excited about and we're doing a little unauthorized word-spreading of our own, because we love passion, and just about anything Jake Richmond causes to happen makes us happy. It's called Fanaticon, and it's happening from 10 AM to 2 PM this Saturday, at the East Portland Community Center, 740 SE 106th Avenue, between SE Washington St and SE Cherry Blossom Drive.

Admission is Free. That's the ultimate discount.

What you'll see there is a group of teenaged comickers who are showing off work we expect to be much pleased with, and a remarkably wide group of creators tabling their own works (there'll be Barry Deutsch there, along with Jake, which is more than enough reason to show up on its own.

For our part, we noted there was no posting on the Upcoming Events board of the Midland Branch library.


The Wife™ took care to correct this.


With the library's permission, of course, the promotional posting is embedded within the science fiction shelves. Which is appropriate, as it's also very close to the graphic novels, manga, and comics shelves.


The postcard-sized ones on the top the manga shelves were there when we got there.

All the info you need to know about our local, teen-organized and run comicon can be found at the Fanaticon Facebook page: https://www.facebook.com/events/140596066317163/ . We'll be there.

12 July 2016

[art] This Was The 2016 Clallam Bay Comicon That Was

3344.
A report from Donna Barr, the founding mother:

http://donnabarr.blogspot.com/2016/07/2016-clallam-bay-comicon-con-report.html

The Clallam Bay Comicon, like many microcons similar, and some larger events like Linework NW, Artists' Alley Comic Con (which is coming up next month) and Fanaticon, fills the void left by the media-event megacons. They're all about the creator and the fan meeting and enjoying each others' company, and selling a bit and making a bit of fun and reputation. They're so scalable that literally anyone can create and stage one.

The only reason we've not visited Clallam Bay is because it's just too far for us to economically stretch at the moment. But we do have Jake Richmond and the Pooles at Spritely Bean, and they'll keep us excited until such time as we can finally make our way north.

Until that time, I give you Donna's show.

16 January 2018

Patron Saints of Art: The Current Pantheon

3515A.
The lapel of my rather-battered jacket tells a story, or at least I try to have it entertain all comers.

Right now, it's got merely five autos-da-fe. They are, as follows:

Saint Thomas Pynchon. The quitessential Great American Novelist, wrote towering books mapping the angst and banality of male American life of the 2nd half of the 20th century into a odd world that exists on the edge of reality but can still be plainly seen. It's in your face but it isn't really there; it's the glimpse of reality you get in the flash of a atomic explosion that dazzles your eyes then fades away.

Saint Patrick McGoohan. Individuality as freedom and prison all at the same time: six degrees of freedom is also six degrees of imprisonment. And we all have our reasons for wanting to break free, and maybe you believe them or maybe you don't. It takes a Village, as they say.

Saint Andrew Warhola. You might be the brightest star in the firmament, son, but your time will be oh, so, fleeting. You will then be absorbed into the MCP of pop culture, program ... but only if you do it right.

San Salvador Dali. He not only did art, he was art. Last, year, to settle a paternity case by someone claiming to be an heir, his body was exhumed. His mustache was as perfect as it was when he was interred. He not only has immortality through his art, he has immortality as his art. If he were alive, he would definitely approved.

Saint Jake Richmond. Tells the story of an outsider not of their own doing, does the hard work, every day, work of the hands head and heart. He's not the only web comicker I admire, but he is Portland's.

Last night, when going to werk, I got Olivia a drink at the Chevron station, she was parched and wasn't going to carry me much farther. The pump jock asked me about my buttons and I told him about my current patron saints and told him about The Prisoner and reading Pynchon and he thought that he might try some of that out.

"Are you a teacher," he asked?

"No," I said, "I just like smart shit."

And so it goes.