Showing posts with label Harlan Ellison. Show all posts
Showing posts with label Harlan Ellison. Show all posts

01 July 2018

My Harlan Ellison Story

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Harlan Ellison, it has been reported, has died, two days ago as of this writing. It shouldn't be a surprise that on the intarweb, whose existence he might not have speculated on in the exact but is certainly there in the gestalt if you look hard enough at his writing, there is much mourning. A great majority of the people I know online and are solid with are a result of my habitual visitations, back around 2008-2013 or so, of Harlan Ellison's website, the forum boards, and his legendary corner of the 'net called the Art Deco Dining Pavilion.

A handful of people I'm privileged to be connected with on the virutal plane are very admirable writers who knew him personally and/or were connected in a sort of informal mentorship role. But just about everyone of the hard core of online Friends of Ellison, of which I count myself one, has a Harlan story. Herewith, mine.

Actually, it has very little actual Harlan in it. I was never fortunate enough to clasp hands with him, and now that'll never happen; so it goes. But being an active part of the community on his website meant he would occasionally see what you had to say, and a good thing could happen.

It centers on this book, Paingod and Other Delusions. It's renowned because it contains Our Pal's iconic short "Repent, Harlequin! Said The Ticktockman", and that enough is reason to have it, but there is a less-starring member of the ensemble therein is a story called "The Crackpots". As awkward a member of humanity as I am, this story not only spoke to me, it yelled right into my heart Hey, fellah, I know it's tough being you, but you're not alone. You have value, even if you don't have an obvious place to be. Ironically, it's set amongst the Kyben, his space-operatic Human antagonist race, but society is society, and what does fiction do but hold up a mirror to the Human condition?

I subsequently wrote a love letter about this story on Harlan's site ... originally I recalled it was a posting in the forums, but the more I think about it it must have been on the Pav, because that's where Harlan would check in from time to time.

I get an email from the webmaster (whom I believe was named Rick Wyatt). Could I please send him my address? And I replied in kind. In medium order, I got a mailing from Harlan, and this is what it contained:


The Ace SF paperback edition, printed in 1983. And, for your further delectation, the title page.:


I didn't ask him to send me an autographed copy, but he saw my words and that's just what he did. I've been a lifelong fan of Ellison, and this was, and still remains a peak moment: having heard that he'd touched me that way, he gave me a tip-of-the-cap, a salute: the world is a lonely place, but you're not alone in it. I see your struggle.

Harlan was known for a multifaceted personality and in it, you can find any kind of Harlan you want. But the one people know best is perhaps a little moment of human respect, where you heard what he said and he heard you, and gave you a kind of thumbs up.

This was always special to me. Now, its incredibly dear.

He was my pal, too.

21 September 2015

[writing] Harlan Ellison, Crafting the Short Story, and "Night of Black Glass"

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Finally found a copy of Harlan Ellison's "Stalking the Nightmare, in paperback, for my HE shelf. The high point on this collection is the short, eerie "Night of Black Glass". This is a story which stuck with me, particularly because of Harlan's exploration of survivor's guilt and how he poses it as an existential question with a real cost; also, if anyone (and I know most of you in The Harlan Ellison Facebook Fanclub have) has ever seen the documentary "Dreams With Sharp Teeth", it was apparently written as the product of an exhibition …

The picture is of Harlan sitting down in a bookstore's front window on Fifth Avenue in NYC in front of his trusty Olympia typewriter. He is then delivered an envelope with a single piece of paper, NBC letterhead, which he then opens, reads, and then gets to typing. In a voice-over, the late Jessica Savitch, from a clip from the Today show from March of 1981, states that he was given an opening idea written by Tom Brokaw: "A man walking on a rocky beach in Maine in August, finds a pair of broken sunglasses". Five hours later, "Night of Black Glass" was finished. Not only was it a demonstration of the man's almost-preternatural ability to prolifically create, it showed that creative pursuits, to paraphrase HE, was a job of work, not something dainty and airy, fit only for occupants of ivory towers.

I read it in a magazine then and didn't see it again for many years. Now I have it on my HE shelf to read when I please.

Old novels and short-stories have become like totems of existence to me. Having them on hand physically makes me feel better about being here.

And so it goes.

And here's a link: An archival page, noting the title indicates a school resource for teaching literature, but it contains the entire transcript of Harlan's interview with Jessica Savitch on NBC's Today Show from March 24th, 1981. Very insightful reading at http://archives.nbclearn.com/portal/site/k-12/flatview?cuecard=34831 (if you search the NBCLearn site you only get a 15-second preview of the video, or you have to sign in to see it, and you probably have to be in school or be an educator or pay a fee for it. But at least you can read it.)

15 October 2014

[literature] What Did Not Kill Harlan Ellison Obviously Didn't Try Hard Enough

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We have been following the news of the travail of a man called, by himself, 'possibly the most contentious human being in the world' with some interest.

Above: L: Susan Ellison, R: This mook she married.
Photo: Steven Barber
Harlan Ellison, we have heard, has suffered a stroke, since about a week now. He's been in the hospital, and we hear, is doing quite well actually. He has, it is reported, lost a bit of use of his right arm and right leg.

This will do some damage to his legendary typing speed, though how his right leg entered into it, I'll never know.

I've admired his writing and watched with amusement and awe as the legends about the man grew and got spread. I've heard him described in glowing terms; one person I knew once referred to him as "The Ego That Ate Corvallis."

What he was ever doing in Corvallis, I'll also never know.

My exposure to him began with a copy of the collection Approaching Oblivion, which has eleven short, crisp, sharp-edged stories which range from the almost-too-abstract-to-be-a-story "Ecowareness" to the dark "Cold Friend" to the barbed "Knox" to the warmest, most humorous Jewish story I've ever read, "I'm Looking for Kadak", almost Sholem Aleichem in miniature. I came to this book as a 11-year-old who sent in a penny to the Science Fiction Book Club without telling my Mom; if I had had any actual ambition, this probably would have spurred my rise to becoming an actual author; as it was, even though I didn't comprehend the stories, I sensed kind of a kindred spirit there. At 11, I was a bullied social outcast, and knowing, even though not clearly, that there was someone out there who saw the world as I did, while it didn't spur me on to any artistic destiny, at the very least it helped me cope.

It is a beloved book. I still keep a copy (Book Club Edition for memory's sake, bought from Powell's) on the headboard of my bed.

He is, thankfully, recovering. His wit, they say, is as sharp as ever. I have the good fortune as having as online friends some people who are personally very close to Harlan, and they have collectively described the scent at the hospital as one of more than a fair amount of mirth. When a stroke victim is entertaining his guests, you know that's a good sign.

So, for what it's worth, whether you like him or dislike him, he's still with us.

What did not kill him should have tried harder … but I'm glad it gave up.

Steven Barber, a/k/a The Thumbnail Traveler, has a short heartfelt thing to say about it. The photo above is also via his gracious aegis, for which I am doubly grateful. 

28 August 2011

[sf] Reexamine Harlequin, Said The Ticktockman

2676.One of the most famous short stories out there, and one of the most reprinted, is Harlan Ellison's "Repent Harlequin, Said The Ticktockman", a short story first published in Galaxy Science Fiction in 1965. A satirical rock-and-roll meditation on regimentation and control and conformity, it seems to use nonlinear story structure to make a statement that tight control is … bad? Good? Simply is? Plants a seed of chaos? Depends on your point of view.

The conventional wisdom seems to hold that this is a sort of screed against the stifling of society by excessive control, and it's valid to look at it that way, however, this essay which reinterprets it in the terms of the concepts of equality, unity, and the way it subverts its own message to make a deeper point about individuality

http://www.irosf.com/q/zine/article/10294

Just read it. I'll read this again and approach the story again with fresh eyes, which is a liberation.