Showing posts with label design trends. Show all posts
Showing posts with label design trends. Show all posts

11 August 2011

[design] Quark, Inc, Acquired By Equity Capital Firm

2647.Quark Inc, the company that once stood astride the electronic layout and desktop publishing world like a legendary titan with its once-category defining application QuarkXPress is no longer an independent company.

It was acquired by equity capital firm Platinum Equity. Details of the transaction, and how much Platinum Equity paid for Quark Inc, have not been released. While Platinum has promised to remain loyal to Quark's installed base, nothing is known yet about whether or not Quark's headquarters will remain in Denver, Colorado (where Quark has been headquartered since its founding in 1981) or if its current management team will be retained.

A fuller story can be had at the website News & Tech, Quark acquired by Platinum Equity.

27 July 2010

[design] The Dying Art Of Design?

2479.
A while back I read an article by Salem's Von Glischka titled Don't Be A Tooler. The article is chewy food for thought, and can be read at http://artbackwash.blogspot.com/2009/06/dont-be-tooler.html. It generated a ton of discussion and I contributed a conment, and still to this day get emailed the occasional reply to the thread.

The idea of a tooler, as I understood it then and understand it now, is the sort of person who is a able user of tools like Photoshop and such and thinks that some mastery of the standard digital design tools makes them a designer ... but along the way, they've avoided acquiring the soft skills a designer really needs to create ... how to see as an artist, how to view a graphic design assignment as more than a chance to produce something that has a surface look of everything else.

That's not to say that you can - or should, in some cases - fight popularity. Can't really be done. But it demonstrates a lack of depth that talent can't always make up for, resulting in forgettable designs that don't really distinguish themselves at all. Sure, you can use Photoshop like a pro - but can you draw? Von Glischka is renowned amongst designers for his artistic, illustrative approach to designing, and the extra depth that "old-fashioned" skill provides his work informs every piece I've ever seen him do with a sort if interior logic and harmony.

It's tough to explain and sound like "whalesong and joss-stick" talk, but you look at Von's work, and you see it instantly.

Free and Numerous Tutorials and Resources as a subsititute for design intellect?

The intarwebz have been a boon to me and to many people who want to learn a new technique or see how some other designer achieved a cool effect. If you get on enough design mailing lists or Twitter, you soon find you can't swing a virtual cat - dead or otherwise - without hitting a list of nifty, fun tutorials on how to achieve this, that, or the other effect, and free resources for the stuck designer. Your bookmarks file will soon be filled to bursting.

But, as mom always said, too much of a good isn't a good thing anymore. Francisco Inchausté, writing at Smashing Magazine, holds a view that harmonizes, in its way, with Von Glischka. I'd put it this way: the embarrassment of riches on the 'net today, instead of making us nimble designers, actually threatens to turn us into lazy, deriviative hacks:
Dependance on resources such as freebies and tutorials is turning our design industry into an assembly line that churns out the same exact piece, with perhaps slight variation. Design is not a commodity, but the more that designers use freebies and the like, the more it will become one. The Web is just a large copy machine, as Kevin Kelley puts it. Design seems to be going down this road, too. Even our information resources—the design blogs themselves—are clones of each other.
I think he has a point. It doesn't take a career with a ton of success to realize that if we all use the same resources we all start looking like the same designer. Moreover, it's too easy to begin to browse your library of tutorials like a pantry of ready-made design solutions. Then, you cross the line into Tooler territory, and you stop using your insight, substituting a sort of reactive thinking for actual design problem-solving.

The overall prescription seems to be, back away from the computer for a while. Get a real design book or magazine and spend some time reading. Sure, you're a Photoshop virtuoso or an Illustrator god, but even I've seen in myself what will happen when you depend on digital apps to do all your work - they become your brain (as I write this, I'm in a epic struggle to get my drawing chops back. My skills have reverted to, as far as I'm concerned, a shambolically bad level).

So, get out the sketchbook and pencil. Break out them old Walter Foster "how-to" books if you have to. You don't have to show anybody your new bad drawings, and when your skill returns, you can look back at teh awful and say to yourself "see how far I've come".

It's a hard road to travel.

Not only are digital apps easy to use and come up with awesome f/x ... they're fun!!! So, that's a hard habit to break. Expect withdrawals.

But we mustn't forget that design and art is, first, and foremost, a human thing, and requires all the good, old fashioned, human skill our hands are capable of if it's going to be solid.

For all his public life, recently-departed gonzo cartoonist John Callahan was a quadriplegic with limited use of his hands. He drew with them anyway. It took both his hands to do it, but his cartoons were visceral and real. If you, like me, have full use of both your hands, you can at least try. Your design might be better for it - anything with a solid foundation tends to endure.

The Smashing Magazine article is at http://m.smashingmagazine.com//2010/04/08/the-dying-art-of-design/. Yes, it was done on a computer. Just savor the irony, peoples.

Technorati Tags: , ,

Powered by ScribeFire.

16 July 2010

[art] Old-Fashioned Painting Of Building Ads ... Up There

2476.
The craft of building ads is something that seems to be on the way out, or maybe just looks that way. Hanging vinyl banners is quick, easy, and efficient - but a lot less charming.

When it came time to show off the perfect Stella Artois, though, the company chose the old-fashioned way. Up There is a short movie that details that struggle.

It's viewable at a page at this link right here: http://uptheremovie.com. Since it shows off beer ads, you have to be of legal age to view. Please don't lie to them.

It's about 12 minutes.

I was utterly charmed, myself. H/T to Pete Vogel.

(Bandwidth warning: I'm decidedly not happy with the streaming. On my older computer, sound galloped ahead of the pictures by more than a minute, and on the more powerful computer we have around here, there was so much rebuffering that the computer evenually gave up about 6 minutes in. You will enjoy what you do see, promise you that.)

Technorati Tags: , , ,

Powered by ScribeFire.

14 July 2010

[type] Rustic Type as Exciting Design: Pete Vogel's Nutmegger Workshop

2473.
A while back in a posting I was recommended to the Nutmegger Workshop, http://www.nutmeggerworkshop.com. I was remiss in not exploring that link a little further, an oversight I rectify here and now!

Pete Vogel, the proprietor, specializes in reproducing the look and feel of old typographically-driven signs, back when sign-makers painstakingly and lovingly created every letterform by hand, with brushes and paint, resulting in a look that is old-fashioned but timeless, charming, and quintessentially American (like the signs that the Portland Building Ads blog finds on a constant basis).

Here he is, in his own words:

Basically, I am attracted to the unadorned typography and sign layouts from the past. I love looking at old ghost signs and faded brick ads, the historic link to the past is what fascinates me the most as I've always wanted to be transported back 100 years. Typography and old signage make great art, especially the larger scale signs. Consider these old replicas in the same context as architectural salvage pieces like a vintage cornice from a house used as a centerpiece for a large space. I think vintage signage brings the same dramatic impact, especially if it is relevant to ones city or living space, or to a favorite destination. Like any art, it's the same form of personal expression, but much more graphic and memorable.



These signs, all personally created by Pete, evince a time we see as more genteel and charming so well that they almost transport you there.

In 1902, the "New York Grocery" did business at the address of 420 Morrison Street. If you remember any Address Nerdery at all, then you know that the lack of a directional meant that this was west of the Willamette, and that there were 20 house numbers to the block meant that it would really at about where SW 11th Avenue is today.

Reproduced by Pete it becomes a warm, friendly bit of decor, invested with history:



Pete's signs are also done on a custom basis, which means any hobby or obsession you or your spouse or loved one might share can become a classy, old-fashioned, typographically-delicious bit of home pride:



And while this Oregonized Nutmegger (he imported himself from Connecticut, the Nutmeg State) has an entirely laudable focus on images from Portland history:


(Dore and Cook Steam Printers plied thier trade
on Front Avenue around the beginning of the 1900s)

He casts his visual design eye far and wide as well - why, not even France and Germany are safe - with charming result.


Pete at work: Clicky to Embiggen

It's nifty to be sure to see someone at work achieving the old styles in traditional ways. By keeping the past alive this way, we have a visual record which helps define the present and point at the future. It's type, and respectful historic type, so I like it a lot, and I see nothing not to like here.

See Pete's work at his site, http://nutmeggerworkshop.com, where his successes are on prominent display, his respect for history is evident, and you can perhaps buy some of your own.

Pictures used courtesy of Pete Vogel, to whom I extend sincere gratitude.

Technorati Tags: , , , , , , ,

Powered by ScribeFire.

08 July 2010

[design] PDX Iconized To The MAX: The MAX Vertical System Map

2469.
Here's something we missed ... and something that really took me delightfully by surprise.

First thing I want to note before I go there is that the all transit and rail maps eventually want to grow up to be the Tube Map. It's the serendipitous acme of transit map design. The "Tube" I refer to, is, of course, the London Underground, and its map, originally designed by Harry Beck in 1931, has achieved the status of icon, influencing the design of many systems since - it seems that almost every major European city rail system diagram echoes it.

Even though you probably had a version of it spring forth in your mind, unbidden, you can refresh your memory by checking out the Wikipedia version of its history at http://en.wikipedia.org/wiki/Tube_map.  It's correct enough. The premise is that, since you're travelling underground, simplification is the ideal goal - you can't orient yourself by landmarks when you can't see the land, and, if you're smart, you've entered the Underground knowing where you are, knowing where you're going, and having some idea of the line you're taking to get there. So, colored lines distinguish the rail lines, and simple dots and circles, evenly spaced, simply connected if they simply connect.

The result is orthographic, straight-line genius, and even though the basic graphic look has changed a little as the system has, the overall look of the map is more-or-less the same. You can see the kernel of the 1931 map in the slickness of the 2010 edition. The circuit-board-like design is, quite simply, timeless.

With the expansion of TriMet's MAX rail service map, which began geographically correct when the original downtown Portland-to-Gresham service took off in 1986, has increased in schematic aspect as the lines grew and the complexity increased. The current horizontal display, now viewable at TriMet's site as well as at MAX stations, does a magnificent job but retains just a little of that geographic familiarity. But the older trains (according to a quote in a Joseph Rose column that I missed back in February) don't have spaces that support a horizontal format as well. So, presumably, why don't we not only reorient the map but throw a little Europeanish redesign in it was well? We first saw this last evening, and since I missed the February column, I didn't know about it till then - and was most pleasantly surprised. This is PDX iconized.

Actually I don't know if they thought it was European. I will go so far as to say that I bet they know they thought it was smart. And I agree. Because, really, when you're riding on the MAX, what do you really need to know about where you're going? If you're smart, you have some idea of where you're going once you get off the train, and have a clear idea of where you got on and what line of TriMet's plethora of five glorious rail lines you'll need to use.

So, make sure you're on the right line, and count the stations. That's all you really need to do.

What I particularly find delightful is the little double-stripe connecting the Rose Quarter TC and the Interstate/Rose Quarter Yellow line stop. That the heart of the system - Pioneer Square - is represented by a big circle befits its iconic status in Portland geography. The bifurcated nature of the lines in downtown are simplified by combining the stations into one icon and merging the names with a slash.

And it, like great transit maps of its ilk, shows the loving influence of the great Beck design, the most iconic of all transit maps - the Tube Map - and we know this, because it works the same way.

We dig it.

Go see Joseph Rose's commuting column to see the map embiggened:
Technorati Tags: , , , , ,

Powered by ScribeFire.

19 June 2010

[logo design] The Turn Of The Golden State Warriors For A Logo Relaunch

2444.
First it was the Whitecaps, then the Timebers, and now the logo-redesign and re-branding fever spreads south to the SF Bay, with the rollout of the new Golden State Warriors logo. This is the version I was most familiar with:



... or some version of the State-on-basketball motif. They've had a variety of logos, including a very Mercury-influenced one from 1997-present.

Here now is the new Warriors' logo, with a bit of "back-to-the-future" ism:



The individual player's number gets located in the big negative space in the upper right there.

This harkens back to a logo which the players wore on their jerseys during the late 60s and early 70s, which featured a complete span of the bridge and the words The CITY over the top of the circle, and a return to a classic, simpler color scheme.

Although, which a name like "Golden State", a reference to a single, very local geographical attraction seems to ring slightly off key. However, the design itself is fairly accomplished, and pays the proper amount of homage, and in the layout with the number added, looks a great deal like tradition.

The San Jose Mercury-News has a nifty little article, complete with a logo/jersey history and the PMS ink colors you'd need to reproduce this look to an exactitude (because that's what PMS colors are all about, yo), at this link here: http://www.mercurynews.com/top-stories/ci_15322115.

Technorati Tags: , , , ,

Powered by ScribeFire.

06 June 2010

[design tools] The Question Of The Mac Mini For Design: Answered ...

2429.... and the answer is good!

A few chapters back I wondered aloud about whether or not a Mac Mini would be a good machine to base my design center around. I'd noticed the specs and cogged that I would get more than twice the computer I have now on my desktop and use my current monitor (a 17" Apple Studio Display) and keyboard for less than half the price of the original G4.

I did get quite a few hits from MacSurfer's Headline News, who notice I asked the question, which made me happy, and somewhat less comments (which made up for in quality what I didn't get in quantity), and the results are, so far as I'm concerned, in … the Mac Mini looks like it'll be a nifty machine indeed, and quite enough for me to go forward from the old G4 with.

A top concern was basic performance. Anonymous (1st commenter) allayed this:
So my first Intel mini was a 1.85MHz and it simply rocked. Not only with photoshop and InDesign, but rendering video (not the heavy stuff, but the day to day conversions.

I purchased the latest generation of Mini and it really rocks, due to the inboard GFX card, not relying on CPU RAM, but it's own.
Kevin Cole chimed in:
Can't hurt. Grab the one w/the best card and most RAM available and it'll work dandy. (We're already using one in the office and it couldn't work more smoothly. Don't know if I'd want to do a LOT of video at once, but for what we're doing, it's smooth!)
Gahlord Dewald had this to offer:
I am very satisfied with my Mac Mini. I am easily driving a Samsung 26" LCD, have my Wacom medium sized tablet plugged in, have a brace of external RAID arrays (though the internal disk is great, I love the speed of RAID stripes so I keep them on hand). I am currently running CS4 and plan to upgrade to CS5.

...

Not sure how it will go for you, but I can say that I do not regret my Mac Mini at all. Wish I had done it sooner.
Jeff, who works at KGW (I'm guessing on the PDX Tweeter's favorite program, Live@7 (@TheSquare), reported in from the trenches:
Go for it. The mini is a powerful little box. I've used one with dual monitors (19" and 24"), and it worked like a champ. We use a couple of previous-gen minis as render boxes at KGW, rendering full HD After Effects projects, and they've never failed to handle the workload. Dollar for dollar, probably Apple's best computer.
Also, as a couple of commenters pointed out, the Mac Mini does indeed have a fan, which means I was probably confusing the concept of the Mini in my mind with that of the G4 Cube, which worked by convection only (which I thought nifty). The form factor of one is reminiscent of the other to me.

Bottom line, though? The Mac Mini will equal my current needs and exceed them a little, and get me back up near enough to the leading edge tech-wise that I can take a role in the reindeer games once again, which is what I need right now.

So, after that payment comes through from the tech editing job, I have a date with PowerMax, or maybe The Mac Store, whichever. They have good deals. And at the price of a new Mac Mini, I won't have to settle for a used unless it makes better economic sense along the transaction. And both stores have excellent return policies.

Since I rarely get feedback or comments, also, a huge thanks and word to the commenters on that. I enjoyed reading them and watching them come in, and really kind of treasure them. You guise were the excellent kind of excellent, and I thank you very muchly indeed.

Mac Mini, here I come ... by and by.

NB: Young, non-creepy SJobs and Macs sourced hither: http://s787.photobucket.com/albums/yy160/kdlipton/?action=view&current=steve-jobs-1984-macintosh.jpg&newest=1

Technorati Tags: , , , , , ,

Powered by ScribeFire.

04 June 2010

[web design] Another Web Trend That Needs To Go Completely Away

2428.Some time back, I moaned and groaned about a web design trend that was getting under my skin - incongruous pictures up against home refinance offers on banner ads. These mutated into "Obama wants you to go back to school/take a hike/whatever" with illustrated with everything from photos of the Unabomber to marching CGI MILFS.

Whoever first thought of the Internet as a democratic conduit for learning and culture is feeling kind of foolish about making that prediction.

Well, those trends are still with us, grinding what's left of one's peace-of-mind into a fine floury powder, but something new's come up, and it's even more dreadful than the rest of it.

I endure popunders. I do not like them, but you have no choice but to accept them (if you did have a choice, you wouldn't). Now, if you had to figure out one thing, just one, to make you terribly upset and angry, to make a time-vampire like online ads even more horrid, what would you do?

Make it look like a real blog or website?

You're close.

You'd also embed a multi-megabyte video file in it! Yippeee!

Now, I loathe sites that load music and then make you have to find the "pause" button to mute it. It's bad enough that the sound file is slowing down my transfer, but I'm already listening to something usually, or want it quiet. When it comes to a soundtrack, don't call me ... I'll call you. Or won't, most likely.

But what really kills web enjoyment is to be loading something (and in my self-described ADDness, I'm interested in several things, simultaneously) when, suddenly ... where's that news report coming from? I don't have a YouTube window open!

Thank Jobs that I have OS X's Expose. I can find the offending window and kill it. But why should I have to do that.

Look, peoples, the blunt truth is, not only do I never buy anything promoted in a popunder, but I don't know anyone who ever has. So, if that's bad enough, you also have to invite yourself to a little bit of my personal space, CPU cycles, bandwidth, and what remains of sanity in this modren world.

Just because you can put something in a web page, doesn't mean you have to. Or even should.

Rant over. For now.

Technorati Tags: , , ,

Powered by ScribeFire.