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Diving back deeper, I was finally able to coax a image to resemble things the way I remember them.
I do, as it happens, do a little manipulation of most of the images I post. I try to keep it to the absolute minimum, white balance, color enhance maybe. I suppose many photographers do same, but even though I've learnt a great deal about composition and framing over the years I've shot digital photos for fun, sometimes those cameras just don't pick up the image the way my eye and psyche do.
Sometimes one feels one's telling a fib with the insane amount of photo editing that is available, but then, if every photo's a story and I'm trying to tell a moment, it's also a sort of integrity that I try to make that photo resonate with my memory of the moment.
I guess.
Six days ago, before the smoke arrived for good, me and the Girl were out doing whatever it was we were doing, and stopped, as we have habit to do, at the Dutch Bros on SE Division just east of 136th. It's a verity for us. Very nearby there is a pedestrian overpass and I noticed that Wy'east was presenting interesingly under the incoming smoke (which I already visually explored here and here. It was here along Division, though, when I realized I had something visually worth capturing.
There was a lineup at Dutch Bros, so out of the car I leapt, me and Birthday Hat. Short adventure with Birthday Hat, but that's for the next entry.
I tried to frame the mountain, but when seen in the viewfinder it mellowed back so much it was all but impossible to compose effectively, so I seat-of-the-pantsed it using surrounding hills and other things that I could see. Eventually I'm here in front of my computer and I can play with curves and, even though this is not what the camera appeared to capture, this resonates with the memory of what I saw.
Old Wy'east usually presents well from this part of Division. Once I got the color where I wanted it, it visually imposes quite aptly.
Here I'll include a bit of pull-back for context.
This takes in not only Division just below the overpass and the PGE substation at 138th and Divsion but also our insurance agent's office.
Anthony Kondos. Nice guy. We recommend him.
There is an endless internal dialogue with me going on when it comes to scenes like this, and its participants are constantly amazed that looking on something like this mountain, which I regard with almost a fetishistic intensity, comes out one fulsome way in the brain and the psyche but another diminished way under the indifference of the digital camera. Our brain really works hard at playing things up for us.
This dialogue has no resolution, one supposes, and perhaps no end save sufficiently-advanced senesence or biological decease.
So it goes.
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