Showing posts with label Tilikum Crossing. Show all posts
Showing posts with label Tilikum Crossing. Show all posts

08 June 2021

Where The Elite Meet And Greet On The River

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They say Portland's gotten expensive.

Well, look at what gathers on the riverbank these days. Pretty soon, you'll have to earn six figures just to camp out in the park.

Tilikum Crossing: Bridge of the People, meet Big Ol' Yachts: Marina of the Rich People.


30 May 2021

Tilikum Crossing, In Passing, From the West

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This is a view of Tilikum Crossing from the seat of a car travelling northbound on Moody Avenue, just south of the intersection where all the transit traffic comes and goes from it.


It's quite a beautiful bridge, and that's actually a change of mind for me. I love the way the cable-stayed design makes it look like a suspension bridge. At first, I wasn't that big a fan, but that was then. 

They're going to try to build a new Interstate Bridge, while I'm woolgathering about it all, and I hope they take some inspiration from this, amongst other things. Columbia River Crossing 1.0 was going to be a dreary, boring thing. A bridge in that spot, linking Portland and Vancouver, should be a majestic, impressive thing. 

Maybe a suspension bridge? I can hope.

27 May 2021

Downtown Portland From The Ross Island Bridge, Then and Now

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In this posting on the 17th I shared a photo I took in April 2010 of downtown Portland from the vantage point of the east end of the Ross Island Bridge, and it struck me how amazing it was to see it without the Tilikum Crossing Bridge there. I figured it was past time to get an updated picture of this, to document the change.

This has been done. And here is the result.


This day it was warm, in the upper 60s, and the high overcast was nacre-like, in contrast to the gray low-overcast of the 2010 pic. It diffused the light a great deal and I was not able to get contrast on many of the buildings that I wanted. But the difference is pretty striking, I think.

I mean, that new bridge there. 

In a book very close to my heart, Ursula K LeGuin's The Lathe of Heaven, the main character, George Orr is described as living in a Portland that, instead of going the way we did, doubled and tripled down on the growth, had become a moribund city of millions with subways and innumerable bridges across the Willamette. We, as I said, didn't go quite that way, but the multiplying ways to get across the river make me think of the picture of the Portland-yet-to-come that she drew. 

I mean, what a difference 11 years makes. This was just in 11 years, there seems to have been more change and more change more faster than in the thirty years previous. Nearly asymptotic, really.

23 May 2021

The Tilikum Crossing In Profile

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A most agreeable angle can be had of the Tilikum Crossing (full and complete title: Tilikum Crossing, Bridge of the People) on the walkway along the extension of River Parkway south of the Marquam Bridge.


The cable-stayed span is a rather beautiful design, if only because it resembles a suspension bridge. It's a change to the landscape, and I adore it.

04 May 2021

The Blue Heart Of Portland

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Looking south from the vicinity of the Steel Bridge is looking up-river along the Willamette, in the reach that extends through Portland's veriest city center. There are many bridges and so very many new buildings, most of which you see in this shot did not exist fifteen years ago (again, same planet, different world ... Saint Ursula was prescient in a way).


On the right, downtown; on the left, the burgeoning central east side. Going from foreground to background we see, in whole, the Burnside Bridge, and in parts: the Morrison Bridge, the Hawthorne Bridge, the Marquam Bridge arching above them all, and if you look sharp, one of the towers of the Tilikum Crossing. 

And this is Portland's Blue Heart. 

18 July 2020

Tilikum Crossing From Terwilliger Blvd

3723This, the full name of which is Tilikum Crossing, Bridge of the People, is the newest and most unique of Portland's signature bridges, a cable-stayed design that opened to the transit- and bicycle-using public in 2015. It is not a general traffic bridge, but is restricted and designed for buses, light rail and streetcar, and bicycle and pedestrian access only. It connects from the west at a point off South Moody Avenue just south of the Riverplace district and ties into the east via a access called SE Tilikum Way which bends to become a block of SE 7th Avenue feeding into SE Division Place. It opened in 2015.

A public naming contest was conducted; Tilikum Crossing wasn't the popular choice but the choice TriMet went with. The popular choice was honoring the legendary street performer "Working" Kirk Reeves, may he long live in our hearts, but that just didn't have the gravitas that they were looking for, we guess. That said, the word tilikum is Chinuk Wawa meaning people in the sense of family or tribe and meant to pay homage to the indigenous inhabitants ... the Multnomahs, the Clackamas, and others who lived here before we white people go there, and if they weren't going to go with the people's choice, at least they went with something with a lot of heart and Native soul.


Interesting Fun Fact!: The bridge, as mentioned earlier, is transit and pedestrian/bike only. So, as you sit comfortably (and properly socially-distanced) in a TriMet motor coach or a MAX train, you can grin smugly at the people crossing in cars just to the north via the Marquam Bridge or to the south on the Ross Island Bridge. Of course, they're too far away to see you; the victory is a Pyrrhic one. It is, never the less, real, and yours.

23 August 2015

[pdx] Day of the Wildfire Smoke, Part 1

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The numerous wildfires in the eastern 2/3rds of Oregon and Washington are usually things those of us in the Willamette Valley hear of on the news, complete with pictures and live remotes.

Usually. Because this year, since the fires are so numerous and all following the 7 Habits of Highly Effective Wildfires (Rules 1-6 read 'burn everything', and rule 7 is 'when in doubt, see rules 1-6), and since we are afflicted with yet another continental weather system providing us with abundant offshore flow (a Pacific Northwest weathercaster term meaning the winds all go to the Pacific), this hellish fire season, everyone west of the Cascades gets a taste of it, and those with respiratory issues are strongly advised to stay indoors.

The day, Saturday, August 22nd, dawned auspiciously. Red sky at morning, Oregonian take warning; the morning sun was shinin' like a red rubber ball.


The above was taken at about 0715, as I departed my work site. The morning was remarkably amber from then on; the quality of the light in the air was more appropriate to sunset than not long after sunrise. And, all that day, I found myself wondering how much worse it would get. It's a good thing I got pictures; I myself couldn't foresee how sepulchral it would eventually get.

From about noon through to about 6 PM I spent the day in the company of some of my chums from high-school, and a better gathering could not have been had by anyone. The location was in Tigard, which is as far as you can go in the SW direction and remain in the Portland urban agglomerative disk. The haze thickened over the day. By the time we left and worked our way back through Tigard, this is what SW Pacific Hwy near SW 72nd Avenue and the Fred Meyer store looked like:


… and this was SW Barbur Blvd in the vicinity of SW 30th Ave (which is the light in the middle distance):


Despite the lateness of my day, I thought a viewpoint was needed. Portland's SW Terwilliger Blvd is famous for places to park and take in the pulchritdinousness that is Portland's city landscape from a point with a view. But today, this is mostly what Portland looked like from Terwilliger:


My city was gone.

The Tilikum Crossing:


Bridge of the people; smoke from the distant wildfires. More like Twilight of the Gods around here.

And this, the Marquam Bridge:


Absolute visibility here is something less than 2 miles. Clear visibility? Much less than that.

This view point is good for framing downtown Portland with views of Mount Saint Helens. Today's shot makes us imagine downtown Portland if Loo-Wit has erupted the other direction.


Another angle on the Marquam Bridge. Those buildings are new hotels and condos in the Riverplace and South Waterfront districts.


Our adventure continued east into the Hawthorne district. About which, anon.

22 April 2014

[pdx] Photos on Sunday: Tilikum and Terrior, Via Ursula K. LeGuin.

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If there are discussions about what is the quintessential Portland novel, and, more over, a novel is sine qua non as far as a "Portland literature" is, it would be Ursula K. LeGuin's The Lathe of Heaven.

A bit of an introduction if one has not been. The Lathe of Heaven is set in a fictionalized Portland and Oregon of the year 2002 (it now qualifies as an alternative history). It concerns George Orr, a man whose dreams can literally alter reality, and Dr. William Haber, a sleep and dream researcher … an onierologist … who discovers the quality of this power and tries to use it to recreate the world in a better version … sans war, sans hunger. Each dream is incarnated in unpredictable ways, causing eventual chaos, a kaleidoscope world and, unwittingly, revealing Dr. Haber as a megalomaniac, if a tender, loving one.

The novel got its hooks into me (and has permanently done so … laying next to this computer at this time is a paperback copy I got at Powell's on Sunday evening for $2.95, making this possibly the most Portland thing I could physically accomplish) with its fictionalized vision of Portland of the year 2002. Writing in the late 60s and early 70s as she did, I presumably assume that at least a part of her found it somewhat inevitable that Portland might expand, toxically, and ruin its own character.

The Portland at the beginning of Lathe massed 3,000,000 … as many people as are in the whole of Oregon today, less about 800,000 … and the New Cities of the then not-so-dry Oregon Outback had populations of approaching 7 million each. 


The Portland portrayed in the novel had a few geographical inconsistencies, but none worth noticing overmuch. Something about the narrative … the easy way she wrote of local geography, the familiar timbre to the words … made it plain to me that she knew this area intimately. She had a sense-of-place. The writing had a particular terrior… it simply couldn't have been written by anyone else, or anywhere else.

It was Oregon, fictionalized by an Oregonian, who loved Oregon. It felt good to read, and still does, to this day. I read Lathe to wallow in the descriptions of Portland, the free and casual way words like Willamette, Linnton, Zigzag and Rhodoendron are used. And if a few details are off … mentioning a place as 209 SW Burnside St … then the tender loving care with the place that is otherwise taken more than makes up for that.

Of course, the story is about a man whose dreams change the nature of reality. There's probably a little editing going on there as well.

Wandering up and down the Eastbank Esplanade, near OMSI, to get a good look at the Tilikum Crossing, the Bridge of the People. Not for the first time, looking along the river where, at many angles, you can at once take in automobile bridges and an aerial tram but also, now a bridge for trains, bikes and people only, did a feeling grasp me … and then I had it.

Passages from The Lathe of Heaven, meditations on getting around in the overpopulated, overpolluted, overmoist Portland of the fictional year 2002 invaded my consciousness and did not let go. I had to get a copy of the book to read again, you see. I had no choice.


We join George Orr as he travels from Vancouver to Portland on a subway (can you imagine?):
To go under a river: there's a strange thing to do, a really weird idea.

To cross a river, ford it, wade it, swim it, use boat, ferry, bridge, airplane, to go upriver, to go downriver in the ceaseless renewal and beginning of current: all that makes sense. But in going under a river, something is involved which is, in the central meaning of the word, perverse. There are roads in the mind and outside it the mere elaborateness of which shows plainly that, to have got into this, a wrong turning must have been taken way back.
 There were nine train and truck tunnels under the Willamette, sixteen bridges across it, and concrete banks along it for twenty-seven miles. Flood control on both it and its great confluent the Columbia, a few miles downstream from central Portland, was so highly developed that neither river could rise more than five inches even after the most prolonged torrential rains. 
 The Willamette was a useful element of the environment, like a very large, docile draft animal harnessed with straps, chains, shafts, saddles, bits, girths, hobbles. If it hadn't been useful, of course, it would have been concreted over, like the hundreds of little creeks and streams that ran in darkness down from the hills of the city under the streets and buildings.
 But without it, Portland wouldn't have been a port; the ships, the long strings of barges, the big rafts of lumber still came up and down it. So the trucks and the trains and the few private cars had to go over the river or under it. 
 Above the heads of those now riding the GPRT train in the Broadway Tunnel were tons of rock and gravel, tons of water running, the piles of wharves and the keels of ocean-going ships, the huge concrete supports of elevated freeway bridges and approaches, a convoy of steamer trunks laden with frozen battery-produced chickens, one jet plane at 34,000 feet, the stars at 4.3+ light years.

Later, very near the end of the book, Orr travels across a Portland that was, in some ways, a crazy quilt of all the possible Portlands that he had, at one time, dreamed:
Orr returned to downtown Portland by boat. Transportation was still rather confused; pieces, remnants, and commencements of about six different public transportation systems cluttered up the city. Reed College had a subway station, but no subway; the funicular to Washington Park ended at the entrance to a tunnel which went halfway under the Willamette and then stopped. Meanwhile, enterprising fellow had refitted a couple of boasts that used to run tours up and down the Willamette and Columbia, and was using them as ferries on regular runs between Linnton, Vancouver, Portland, and Oregon City. It made a pleasant trip.

Weaving UKL's words (with due apologies) amongst the pictures creates a trip of its own. SF doesn't predict, it guesses and wonders; we should not be surprised that TriMet didn't take on LeGuin as a long-range planning consultant (though I figure it would be better off if it had). Still, contrasting the dystopian future of Portland in prose with the significantly cheerier (if still flawed) present, it's hard not to see the resonance. They regard each other as brothers by different mothers. They, oddly, mesh … the one being the flip side of the other.

In an ineffable way, the terrior that made Lathe possible wells up, unseen. The book beatifies and explores its setting without wallowing in it, by dwelling on what is, and the voice you hear whispering the details is the real-world surroundings … at least, those in the year it was written.

The quintessential Portland novel. There can be none other.